100 Days of Us
An oral history of the American city
Fort Wayne · Vol. 01 · 2026
An oral history of one American city

One hundred neighbors.
One hundred days.
One Fort Wayne.

Every day for one hundred days, a new portrait and story appears here — a butcher, a barber, a welder, a third-grade teacher, a bus driver, a mother of four. All of them live in Fort Wayne. Click any face to hear them tell it themselves.

◉ Released: 42 Remaining: 58
Hover a face · Click to read & listen

About the project.

100 Days of Us is a documentary portrait and oral history project based in Fort Wayne, Indiana. Beginning on March 1, 2026, we released one portrait and one story each day for one hundred days — an attempt to listen to a single American city in its own words.

All one hundred participants live, work, or were raised in Fort Wayne. Subjects were selected through a combination of neighborhood outreach, personal nomination and a Story Council of representatives from different neighborhoods throughout the city. Every interview was recorded, transcribed, and edited in collaboration with the person speaking. Portraits were made on site, in the places they chose.

Printed portraits are installed throughout the city, in storefront windows and on building walls. Each one carries a QR code linking back to the story you're reading now.

Made possible by our neighbors.

100 Days of Us is produced with the support of the City of Fort Wayne, businesses, foundations, and residents. Every portrait printed and posted in the city is paid for by the names below.

100 Days of Us is a project by Storyville
100daysofsaginaw.com · © 2026 An oral history of the city Culminates Jun 8 — Exhibition & Storytelling Night
100 Days of Us
Fort Wayne · Vol. 01 · 2026
About · Vol. 01 · 2026
An oral historyProject · Purpose · Process
A project by Storyville
A Project by Storyville · Saginaw, Michigan

One hundred neighbors.
One hundred days.
One city.

100 Days of Us is a documentary portrait and oral-history project that listens to a single American city in its own words — one person a day, for one hundred consecutive days.

100Portraits
100Stories
100Days
1City at a time
In this document 01 The Project · 02 The Purpose www.100daysofus.com
Chapter OneIThe Project

What is 100 Days of Us?

Stories create places. 100 Days of Us celebrates people and their stories, connecting them through digital and physical mediums. Each day for 100 days, a new story is released on the website, a designated local social media channel, and a printed poster with a QR is posted somewhere in the city. The stories cover the range of human experience: overcoming challenges, falling in love, thoughts about the world. Working with Storyville, a local Story Council is created to solicit up to 200 stories and then select the final 100. Storyville will then record interviews with each storyteller, take a portrait of them in a location of their choosing, and then create a written version of their story. The written story will be collaborative with the interviewees, and each portrait will be printed and displayed at different locations throughout the city.

The 100 days culminates in a community event where all 100 portraits will be displayed, selected readers will read their stories, and a hardcover book will be available for purchase.

01

On the internet.

A dedicated site for the host city — 100daysofyourcity.com — publishes one portrait and one story a day, every morning, for one hundred consecutive days. The story is also published on social media. Each entry carries a long-form written piece, a full transcript, and edited audio of the interview.

Daily release · 6 a.m.
02

On the walls.

Each portrait is printed at 17×22 inches and posted in a window or on a building. Over the 100 Days, the host city slowly becomes a walkable gallery of its own neighbors. Each portrait includes a QR to the story on the 100 Days of Us Website.

17×22 · installed same day
03

In a book.

After day 100, all one hundred portraits and stories are collected into a linen-bound hardcover, printed, and gifted to every participant and sponsor. A copy also goes to each library in the city, and is available for sale both online and at the 100 Days closing event.

Hardcover book
Chapter TwoIIThe Purpose

Why we do this.

100 Days of Us is a project with the goal of connecting citizens and building community identity through human faces and human stories. Bridging the divide between digital and physical spaces, 100 Days of Us allows citizens to tell their stories in their own words and in the process, turn people into public art. In a world of increasing disconnection, this project is a reminder that stories connect us to each other and our local communities.

A city isn't a headline.
It's human faces and human stories.
Chapter ThreeIIIThe Partners

Who makes it possible.

A hundred days, a hundred neighbors, a handful of partners. 100 Days of Us is underwritten by local businesses, foundations, and civic partners who believe their city's story is worth telling carefully. Sponsorship is transparent, tiered, and tied to real, tangible outcomes — printed posters, interview time, a closing exhibition, a permanent archive.

Partner Information Packet · Vol. 01

Sponsor a hundred days of your neighbors.

Every dollar reported in the colophon of the book. Four tiers, fully transparent — from a single block to the entire edition. Read the packet for the full breakdown, sample agreements, and a four-month timeline.

Read the sponsor packet
Tier 01 · Community
$1,000
name on the block
Tier 02 · Chapter
$5,000
underwrite ten days
Tier 03 · Edition
$25,000
presenting partner
Tier 04 · Civic
$80K
whole-city sponsor
Continue the conversation
Let's make the streets tell your stories.
— with love, Us

To continue the conversation

Editorphil@storyvillecities.com
StudioSaginaw, Michigan
Phone+1 (989) 397-7371
Communityyours
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100daysofsaginaw.com · © 2026 An oral history of the city Culminates Jun 8 — Exhibition & Storytelling Night
100 Days of Us
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Day 042 of 100 · Baker · 62

Maria
Delgado.

the baker on State & Court
"I never thought I'd end up running the bakery my grandfather built. I thought I'd leave, and then I didn't, and then I couldn't imagine leaving."

Maria was born on the same block as her grandfather's bakery, and on most mornings you can still find her there by four a.m. She unlocks the side door, flips on the oven hoods, and sets the first batch of bread before the streetlights on State have gone out. By the time the regulars arrive — the nurses coming off shift, the man who works the early bus — the smell has already reached the corner.

"The flour still comes in fifty-pound sacks," she says. "That's how it was. That's how it is. I don't know why we'd change it."

Her grandfather opened the shop in 1947, a year after he and her grandmother arrived in Saginaw from a town in central Mexico whose name Maria never learned to pronounce properly. For forty-two years he worked the bakery six days a week. Her father took over in 1989 and worked it until his back gave out in 2011. Maria had been living in Grand Rapids then, managing a boutique hotel, and had not planned to come back.

"I came home for three months to help. That was fourteen years ago."

She talks about the bakery the way some people talk about their children — proud, exhausted, unsentimental. The equipment is old. Rent has gone up. The neighborhood has changed, though she is quick to say it has not only changed for the worse. "There are more kids on this block than there were in 2015," she says. "That matters."

When asked what she wishes people knew about Saginaw, she does not hesitate: "That it's still here. That people are still making things. That the story didn't end when the factory closed."

Tweaks